Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,  Related Paintings of Cano, Alonso :. | St James the Greater | The Vision of St Bernard | St. John the Evangelist with the Poisoned Cup a | The Vision of Saint John | St.Isidoro and the Miracle of the Well |
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John wharlton bunney
1828-1882 was an English topographical and landscape artist of the nineteenth century. His father was a merchant captain whom Bunney, as a boy, accompanied on several voyages around the world. Bunney demonstrated a strong talent for drawing and draftsmanship from an early age. The young Bunney became a follower of John Ruskin; he studied with Ruskin at the Working Men's College soon after its founding in 1854, and later worked as a clerk for Smith, Elder & Co., Ruskin's publisher. Bunney was able to give up his clerical job and make his living by his art and art teaching by 1859; Ruskin commissioned him to execute a series of drawings in Italy and Switzerland.Bunney married Elizabeth Fallon in 1863. The couple settled in Florence; they would have four children. Bunney worked for Ruskin's St. George's Company (later the Guild of St George) in northern Italy for the remainder of his life. In his career there, Bunney produced a noteworthy pictorial record of Italy in his era. Ruskin said that Bunney's work was "so faithful and careful as almost to enable the spectator to imagine himself on the spot." Bunney was a friend of many of the Pre-Raphaelites, especially William Holman Hunt. From 1870 on, Bunney lived and painted in Venice. In 1876 Ruskin commissioned Bunney to paint a picture that included the entire western facade of St. Mark's Basilica
Ferencz Franz Eisenhut
1857-1903
Sultan Muhammad
Persian Painter, active ca.1505-1550 Persian illustrator. He was apparently a native of Tabriz and spent most of his life there. Contemporary sources suggest that he was at the height of his creative powers in the 1520s and 1530s when he was one of the leading painters in the employ of the Safavid shah Tahmasp. Sultan-Muhammad's documented paintings include contributions to a monumental copy (dispersed, ex-Houghton priv. col.) of Firdawsi's Shahnama ('Book of kings') made for Tahmasp between c. 1524 and c. 1529 and paintings from a copy (divided, New York, Met. and Cambridge, MA, Sackler Mus.) of Hafiz's Divan (collected poems), probably executed between 1531 and 1533. Sultan-Muhammad's paintings for these manuscripts demonstrate how the tradition of western Iranian painting as practised in Tabriz, Shiraz and other centres during the 15th century continued to be significant at the Safavid court .